It seems many museums are exploring the influences of East-West dialogue this year, an idea birthed in part by the travels of Marco Polo and still topical today with the enthusiasm for late 20th and early 21st C. Asian contemporary art.
“The Third Mind: American Artists Contemplate Asia, 1860-1989”is a veritable visual circus that delights the eye and engages the mind. It creatively and most successfully illustrates how the arts, philosophy and literature of Asia, much appreciated by intellectual circles in the West in the 19th and 20th C.,inspired American artists to see and experience their world in a new way.
Upon entering the rotunda and taking in Frank Lloyd Wright’s ascending ramp that spirals up six levels you are greeted by two large cubes of ice around which eight microphones peer down like inquisitive mechanical birds. This is Paul Kos’s installation “Sound of Ice Melting” (1970) created to inspire the visitor to become a deep listener, slowing the mind to become aware of the ambient environment.
Before this can be effectively achieved, dulcet tones of bronze Tibetan cymbals ring out. Tethered by a leather cord attached to a “bell carriage”draped in flowing white silk,the ethereal vehicle gracefully descends around the inner rotunda spiral. All visitors gather along the edge to cheer it on as its random, pristine chime calls us again to clarify our minds and pay attention.
This is a remarkable site-specific piece that artist Ann Hamilton created for the show using book weights of thousands of cut-up books that are reassembled in bundles to create weights that ascend and descend with a pulley system. The title of the work is called “human carriage” (2009) and it represents the power of the transmission of ideas through books.
Books were the vehicles that relayed the Eastern ideas to creative thinkers and spiritual seekers in America for the most part.
There is a short video on the Guggenheim website in which the artist explains her concept in creating this piece, as well as a wonderful introduction and virtual tour to the exhibition by Alexandra Munroe, senior Curator of Asian Art.
From iconic work by 19th C. artists such as James McNeil Whistler, Mary Cassatt, and early 20th C. O’Keefe, Dove, Stieglitz and their circle, to mid 20th C Mark Toby, Morris Graves, Franz Kline... The list just goes on and on, as over 100 artists are represented by exceptional works.
Even the Beats are visually represented, the title actually references William S. Burroughs and Brion Gysin’s recombined cut-up manuscript called “The Third Mind”. Jack Kerouac, Ferlinghetti, and others have unexpected drawings and paintings included. This chronological order culminates on the top floor which is devoted to experimental video and minimalist works from the 1980s.
This stimulating show ends on April 19th. If you find yourself in New York City before then, run don’t walk to the Guggenheim Museum. An excellent audio guide is free with the admission of $18.00 and greatly adds to the experience.
If not, at least treat yourself to a taste of the experience by taking the virtual tour on the website www.guggenheim.org !
Tuesday, April 14, 2009
Wednesday, March 18, 2009
Signs and Symbols of Seasonal Change
Here in the wooded hills of New England, signs of Spring are arriving daily.
Sunny skies have condensed the snow pack and metal sap buckets festoon the gnarled old maple trees.
New fangled plastic tubing in aqua blue and electric purple race through the gray and white woods like a Christo installation and deliver gallons of freely flowing sap into aluminum tubs. Sugar houses have had vats continuously boiling for sometime now, producing glorious amber colored syrup, the nectar of the Yankee gods…
Our dirt road is as thick and sticky as brownie batter and if you aren’t mindful you can find yourself swerving into a quagmire or losing a boot, as it is literally sucked off your foot on your way to the mailbox. Mud season is indeed upon us.
A huge V formation of jubilantly honking geese passed overhead this morning winging their way North. This is the sign I await at every winter’s end.
Mother Nature could still throw us a curveball, as many snowstorms have manifested in late March but we all hope she retreats as a lamb. The roaring lion and sleet and wind escorted her in a most dramatic entrance.
Another change of season is at our door and the geese call us out of our dormant state to once again embrace the adventure of living…
A winter weary chorus of all living creatures answers a resounding yes…
Can you hear us?
Happy Spring to you wherever you may be!
Sunny skies have condensed the snow pack and metal sap buckets festoon the gnarled old maple trees.
New fangled plastic tubing in aqua blue and electric purple race through the gray and white woods like a Christo installation and deliver gallons of freely flowing sap into aluminum tubs. Sugar houses have had vats continuously boiling for sometime now, producing glorious amber colored syrup, the nectar of the Yankee gods…
Our dirt road is as thick and sticky as brownie batter and if you aren’t mindful you can find yourself swerving into a quagmire or losing a boot, as it is literally sucked off your foot on your way to the mailbox. Mud season is indeed upon us.
A huge V formation of jubilantly honking geese passed overhead this morning winging their way North. This is the sign I await at every winter’s end.
Mother Nature could still throw us a curveball, as many snowstorms have manifested in late March but we all hope she retreats as a lamb. The roaring lion and sleet and wind escorted her in a most dramatic entrance.
Another change of season is at our door and the geese call us out of our dormant state to once again embrace the adventure of living…
A winter weary chorus of all living creatures answers a resounding yes…
Can you hear us?
Happy Spring to you wherever you may be!
Friday, February 27, 2009
Conde Nast Traveler/Flights of Fancy on a Snowbound Day
I recently unearthed the December 2008 issue of Conde Nast Traveler from underneath a stack of books that I had begun reading and abandoned tomake the trip to China. I had gotten the subscription in lieu of losing domestic air miles but had not actually looked at the magazine in many years previous to that.
This issue is really a gem. And I must say most of the articles are very well-written and well-intentioned. It was the perfect panacea after yet another snowy afternoon/evening. A brief respite from the last weeks of winter.
This issue features an article on ecotravel called “On Native Ground”, in which ethno-botanist/anthropologist Wade Davis contributes a wonderful essay on the importance of multi-culturalism in the world. He has the soul of a poet, the knowledge of a scientist and is passionate about this subject, having studied with traditional shaman around the world as well as graduating from Harvard. He was also National Geographic’s Explorer in Residence.
In his essay he offers …”in the same way that biologists are concerned with a loss of biodiversity, so too in the realm of culture, we are seeing a collapse of diversity that is truly astonishing”… “a great indicator of this is language loss. A language is not just a grammar and vocabulary. It is a flash of the human spirit, the soul of a culture, the old growth forest of the mind”. He coined the very appropriate word “ethnosphere” to allude to the web of life that human cultures contribute as the world of nature is the biosphere.
I have heard him give this speech at a symposium in Toronto and it still gives me goose bumps in print. So too are the cultural artistic expressions of traditional tribal peoples and all people the “flashes of human spirit” for that matter. He is truly preaching to the choir when it comes to me. We both were at the Peabody Museum at Harvard in the 80s when he was researching zombies in Haiti which later became an international best-seller, “The Serpent and the Rainbow”. How lucky we all are that he embraced cultural anthropology as well as ethnobotany, later on.
Back in the 1990’s my partner and I traveled in Burma attempting to document what was left of traditional costume of tribal groups collectively known to outsiders as the Chin people. Most of these groups had been greatly marginalized by the government and the dominant culture. This unfortunately has transpired in most of the world. But with the growth of ecotourism many of these peoples have been given a more positive profile due to economics. Of course opportunity for exploitation is rife in some countries. But if developed responsibly, the outcome could be beneficial, especially when the money goes back to the people hosting the tourists. There are several articles discussing this in a thoughtful manner in this issue.
For a real treat and armchair adventure visit www.ted.com and select the talk: Wade Davis: Cultures at the Far Edge of the World. This 22 minute video features lots of Wade’s amazing field photographs and will having you happily singing in the “choir of cultural diversity” by the end!
Happy traveling!
This issue is really a gem. And I must say most of the articles are very well-written and well-intentioned. It was the perfect panacea after yet another snowy afternoon/evening. A brief respite from the last weeks of winter.
This issue features an article on ecotravel called “On Native Ground”, in which ethno-botanist/anthropologist Wade Davis contributes a wonderful essay on the importance of multi-culturalism in the world. He has the soul of a poet, the knowledge of a scientist and is passionate about this subject, having studied with traditional shaman around the world as well as graduating from Harvard. He was also National Geographic’s Explorer in Residence.
In his essay he offers …”in the same way that biologists are concerned with a loss of biodiversity, so too in the realm of culture, we are seeing a collapse of diversity that is truly astonishing”… “a great indicator of this is language loss. A language is not just a grammar and vocabulary. It is a flash of the human spirit, the soul of a culture, the old growth forest of the mind”. He coined the very appropriate word “ethnosphere” to allude to the web of life that human cultures contribute as the world of nature is the biosphere.
I have heard him give this speech at a symposium in Toronto and it still gives me goose bumps in print. So too are the cultural artistic expressions of traditional tribal peoples and all people the “flashes of human spirit” for that matter. He is truly preaching to the choir when it comes to me. We both were at the Peabody Museum at Harvard in the 80s when he was researching zombies in Haiti which later became an international best-seller, “The Serpent and the Rainbow”. How lucky we all are that he embraced cultural anthropology as well as ethnobotany, later on.
Back in the 1990’s my partner and I traveled in Burma attempting to document what was left of traditional costume of tribal groups collectively known to outsiders as the Chin people. Most of these groups had been greatly marginalized by the government and the dominant culture. This unfortunately has transpired in most of the world. But with the growth of ecotourism many of these peoples have been given a more positive profile due to economics. Of course opportunity for exploitation is rife in some countries. But if developed responsibly, the outcome could be beneficial, especially when the money goes back to the people hosting the tourists. There are several articles discussing this in a thoughtful manner in this issue.
For a real treat and armchair adventure visit www.ted.com and select the talk: Wade Davis: Cultures at the Far Edge of the World. This 22 minute video features lots of Wade’s amazing field photographs and will having you happily singing in the “choir of cultural diversity” by the end!
Happy traveling!
Wednesday, February 11, 2009
Winter Doldrums –Winter Songs
Snow is still piled high in sculpted mounds from shovel and plow,edges softened by Artic blasts and scurrying squirrels.The sugary surface is artfully patterned with the comings and goings of scavenging birds. Dangerously daggling icicles, hang like crystal from the roofline, beautiful and deadly in the full moon’s light. Ice dams dominate all northern exposures, snow tires blowout in icy slush, and the wood bin constantly needs filling…a long-suffering whine is necessary and unavoidable.
I think it is safe to say the Winter Doldrums have paid a visit and even the incredible reflection of moonlight on the sparkling ground below fails to enchant for more than a moment. But what a difference a day can make in New England…
Today’s warm temperatures have created music from the drips, and splashes of water liberated from the cold’s icy grip. The chickadees are frolicking in the birdbath and call others to join them from the trees. Phoebes and Barred Owls echo encouragement throughout the woods. Bluejays squawk and preen as the queenly rhododendron relaxes her usually tightly furled leaves. All living things exhale a sigh of relief. Out back I spotted the first tiny buds on the white lilac…
Life is sweet again with anticipation, as I make it back to the house through knee-deep drifts. The cats bask on the front steps like a summer’s day, fresh oat grass growing green and bright in a sunny spot to be enjoyed by them later. Winter has given us a much needed respite.Euphoria will be short lived however as 32 degrees is predicted for tomorrow.
But no matter, the signs have been seen and the longer days are on our side …
The ancient Pagan festival of Imbolc usually held around February 2, marked a time for cleansing and purification. It was an occasion for clearing away the dross and dormancy of Winter and preparing for the arrival of Spring and the freshness of
new life. These eternal changes are arriving daily and the doldrums will be surely be shown the door soon.
Hang in there all my fellow inhabitants of the Northern climes, the wheel is turning … Spring is on the way… one day at a time.
I think it is safe to say the Winter Doldrums have paid a visit and even the incredible reflection of moonlight on the sparkling ground below fails to enchant for more than a moment. But what a difference a day can make in New England…
Today’s warm temperatures have created music from the drips, and splashes of water liberated from the cold’s icy grip. The chickadees are frolicking in the birdbath and call others to join them from the trees. Phoebes and Barred Owls echo encouragement throughout the woods. Bluejays squawk and preen as the queenly rhododendron relaxes her usually tightly furled leaves. All living things exhale a sigh of relief. Out back I spotted the first tiny buds on the white lilac…
Life is sweet again with anticipation, as I make it back to the house through knee-deep drifts. The cats bask on the front steps like a summer’s day, fresh oat grass growing green and bright in a sunny spot to be enjoyed by them later. Winter has given us a much needed respite.Euphoria will be short lived however as 32 degrees is predicted for tomorrow.
But no matter, the signs have been seen and the longer days are on our side …
The ancient Pagan festival of Imbolc usually held around February 2, marked a time for cleansing and purification. It was an occasion for clearing away the dross and dormancy of Winter and preparing for the arrival of Spring and the freshness of
new life. These eternal changes are arriving daily and the doldrums will be surely be shown the door soon.
Hang in there all my fellow inhabitants of the Northern climes, the wheel is turning … Spring is on the way… one day at a time.
Wednesday, January 21, 2009
A Brand New World
Pale gold illuminates a tangle of bare trees as the morning sun climbs the hill.
Deep in snow, they stand silhouetted in the frigid air. The light shifts ever so slightly to copper, as a pair of crows shatter the stillness with their noisy arrival.
Even this far from the marbled halls of Washington,DC there is something in the air,a palpable feeling of a new beginning, of hope, despite the cold realities of the season and the times. This morning’s sun has risen on a brand new world.
Yesterday’s inauguration of Barack Obama was the catalyst for this transformation.
In ancient Rome when the “augurs", groups of priests and officials,
met to interpret omens about favorable or unfavorable days to come,
things were pretty much black and white, good or bad.
As the newly inducted President of the United States stood on Capitol Hill
and looked out over a sea of humanity, whose ancestors represented all the
peoples of the world,he spoke the truth, the cold, hard facts.
The omens were not good.Things must change and be rebuilt.Sacrifices must be made.
But simmering in the crowd of 1.9 million people and the hearts and minds of millions more watching on televisions, computers and listening on the radio was a potent elixir that the augurs of old were helpless to harness… the hope and will of the collective consciousness.
As this eloquent, honorable man said so straight forwardly,”Sixty years ago my father could not have been served in a restaurant in Washington and yet I stand before you today.” And in this reminded us that the will and hope of the people put him there.
A shift in consciousness has taken place and as Barack Obama is quick to remind us,
this is not about him. This is about us as individuals and the choices we choose to make.
We Americans feel a pride and joy this morning that has been long in coming. We are choosing a new way to “be” in this world. A new way that will enable America to live up to her incredible promise and inspire the world by example not military force.
It is a brand new day and all things are possible… How will you choose to be…
Exciting isn't it!
Deep in snow, they stand silhouetted in the frigid air. The light shifts ever so slightly to copper, as a pair of crows shatter the stillness with their noisy arrival.
Even this far from the marbled halls of Washington,DC there is something in the air,a palpable feeling of a new beginning, of hope, despite the cold realities of the season and the times. This morning’s sun has risen on a brand new world.
Yesterday’s inauguration of Barack Obama was the catalyst for this transformation.
In ancient Rome when the “augurs", groups of priests and officials,
met to interpret omens about favorable or unfavorable days to come,
things were pretty much black and white, good or bad.
As the newly inducted President of the United States stood on Capitol Hill
and looked out over a sea of humanity, whose ancestors represented all the
peoples of the world,he spoke the truth, the cold, hard facts.
The omens were not good.Things must change and be rebuilt.Sacrifices must be made.
But simmering in the crowd of 1.9 million people and the hearts and minds of millions more watching on televisions, computers and listening on the radio was a potent elixir that the augurs of old were helpless to harness… the hope and will of the collective consciousness.
As this eloquent, honorable man said so straight forwardly,”Sixty years ago my father could not have been served in a restaurant in Washington and yet I stand before you today.” And in this reminded us that the will and hope of the people put him there.
A shift in consciousness has taken place and as Barack Obama is quick to remind us,
this is not about him. This is about us as individuals and the choices we choose to make.
We Americans feel a pride and joy this morning that has been long in coming. We are choosing a new way to “be” in this world. A new way that will enable America to live up to her incredible promise and inspire the world by example not military force.
It is a brand new day and all things are possible… How will you choose to be…
Exciting isn't it!
Saturday, December 27, 2008
Shanghai Surprises
The weather gods were merciful, permitting short windows of opportunity for take-offs and landings despite frigid temperatures and glazed runways. Remarkably, we made all our tight connections from Boston to Shanghai just moments ahead of the worst ice storm in recent history. The full moon hung against an indigo sky above a frothy sea of rose tipped clouds at dawn as we reached 35,000 ft.,a special sight I'll never forget.
I am up in the wee hours of the morning wrestling the otherworldliness of jetlag, sleeplessly sleepwalking, slowly readjusting to the twelve hour reversal of night and day.
Back in the silent snow-covered woods, where few trees escaped the ravages of the fierce winter storm that ripped icy branches and power lines down for many days, I think of the futuristic forest of eye-boggling architecture I found myself in for almost two weeks.
From this rural dirt road to bustling city boulevards lined with buildings which seemed to defy gravity with unexpected bulges and curves, and even invoked mild vertigo in the viewer from certain angles. At night the city takes on a new life, outlined in purple and blue neon, alternating bands of color climbing skyward and descending to begin again.It is New York, L.A. and Las Vegas all rolled into one sophisticated over-the-top hybrid.
As whisper quiet Mag Lev trains flash by at 430 kph at top speed, local Fashionistas take it all in stride in knee-high stiletto heeled boots.
More traditional glimpses of old Shanghai can still be found in Nan Shi, the tangle of tiny lanes lined with dusty bicycles and overhung with drying laundry located behind the old colonial façade known as the Bund.
Here incense wafts from Taoist and Buddhist temples, their courtyards surrounded by candle lit alcoves dedicated to Kwan Yin, Goddess of Mercy, the Buddha and Taoist Generals and sages. It was here I felt I had finally “arrived” in China. Marveling at the triple-tiered upturned roofs, enchanted by the drums and flutes played by a robed procession of chanting priests and laity, I opened my senses to this experience and was richly rewarded. Finding passageways to Ming period classical gardens with ornate rockeries,stunted Luohan pines and jade colored pools teeming with fiery orange carp added to the spell. This was the China of 19th C.Romanticism. Days later, sitting in the chilly fog by a still garden pond in Suzhou, ancient silk city visited by Marco Polo, I enjoyed fresh chewy noodles in scalding salty broth, garnished with emerald green bok choy and savory cilantro. Simple, soulful, perfect. These pleasant memories are the Christmas presents I unwrapped this year.
Our art project at the Zendai Museum was joyfully presented and enthusiastically received by passers-by in the trendy Thumb Plaza in Pudong. Original music that master guitarist, John Sheldon, created for this piece bridged the language barrier with ease and had everyone bopping to the rhythms of East meets West. Pictures and sounds of Eye to Eye are soon to be featured on our blog http://eyetoeye-intrudes.blogspot.com/ if you’d care to share the experience.
For a trip through a classic Ming garden visit http://www.yugarden.com.cn
I hope your holidays were happy ones!
I am up in the wee hours of the morning wrestling the otherworldliness of jetlag, sleeplessly sleepwalking, slowly readjusting to the twelve hour reversal of night and day.
Back in the silent snow-covered woods, where few trees escaped the ravages of the fierce winter storm that ripped icy branches and power lines down for many days, I think of the futuristic forest of eye-boggling architecture I found myself in for almost two weeks.
From this rural dirt road to bustling city boulevards lined with buildings which seemed to defy gravity with unexpected bulges and curves, and even invoked mild vertigo in the viewer from certain angles. At night the city takes on a new life, outlined in purple and blue neon, alternating bands of color climbing skyward and descending to begin again.It is New York, L.A. and Las Vegas all rolled into one sophisticated over-the-top hybrid.
As whisper quiet Mag Lev trains flash by at 430 kph at top speed, local Fashionistas take it all in stride in knee-high stiletto heeled boots.
More traditional glimpses of old Shanghai can still be found in Nan Shi, the tangle of tiny lanes lined with dusty bicycles and overhung with drying laundry located behind the old colonial façade known as the Bund.
Here incense wafts from Taoist and Buddhist temples, their courtyards surrounded by candle lit alcoves dedicated to Kwan Yin, Goddess of Mercy, the Buddha and Taoist Generals and sages. It was here I felt I had finally “arrived” in China. Marveling at the triple-tiered upturned roofs, enchanted by the drums and flutes played by a robed procession of chanting priests and laity, I opened my senses to this experience and was richly rewarded. Finding passageways to Ming period classical gardens with ornate rockeries,stunted Luohan pines and jade colored pools teeming with fiery orange carp added to the spell. This was the China of 19th C.Romanticism. Days later, sitting in the chilly fog by a still garden pond in Suzhou, ancient silk city visited by Marco Polo, I enjoyed fresh chewy noodles in scalding salty broth, garnished with emerald green bok choy and savory cilantro. Simple, soulful, perfect. These pleasant memories are the Christmas presents I unwrapped this year.
Our art project at the Zendai Museum was joyfully presented and enthusiastically received by passers-by in the trendy Thumb Plaza in Pudong. Original music that master guitarist, John Sheldon, created for this piece bridged the language barrier with ease and had everyone bopping to the rhythms of East meets West. Pictures and sounds of Eye to Eye are soon to be featured on our blog http://eyetoeye-intrudes.blogspot.com/ if you’d care to share the experience.
For a trip through a classic Ming garden visit http://www.yugarden.com.cn
I hope your holidays were happy ones!
Monday, December 8, 2008
East and West Interface
As the temperature plummets to zero and weekdays rush headlong into holidays, I find myself totally oblivious to this ritualized preparation for celebration and it is a bit disconcerting.
For I find myself absorbed instead with visas and flight plans and packing for a surprise trip to Shanghai and rushing to finish an art piece that will be presented at the Zendai Museum of Modern Art there.
Over the summer, three other artists and myself collaborated on an interactive project called “Eye to Eye” and submitted the proposal to the Zendai’s Intrude 366: Art and Life call for artists.
This year long art event ambitiously features “one cultural headline a day” from 100 Chinese artists and 266 Western artists who “intrude” upon the everyday lives of the people of Shanghai and introduce new ways of looking at, thinking about, and perceiving art.We were delighted to be invited and our proposal will be presented on December 20, 2008.
For those who may have interest, a blog is being created about this and our time in Shanghai.If you want to see some of the images please go to
http://eyetoeye-intrudes.blogspot.com .
We have been so busy fabricating the 732 images of Western and Eastern “art eyes” needed to produce the strand of interfacing symbols, that only a rough sketch is up at this time. These small paintings on standard shipping tags will be cut and taken away by passersby on the city sidewalks bringing two artists, one Eastern and one Western,together as the strand shortens. Following is the essence of what will be handed out to explain this Western concept to the Shanghainese.
"Seeing “eye to eye” is a North American expression that implies that two individuals (or groups) can come together on a level playing field to express their own perspective while also acknowledging the other’s viewpoint.
It is a courageous act to see “eye to eye”. It causes one to open oneself to the possibility of new thinking. It is a step towards standing on common ground and arriving at mutual understanding.
In this time of expanding globalization, it is more important than ever that this concept of attempting to see “eye to eye” be promoted to open dialogue and insure meaningful cross-cultural exchange between nations.
“Eye to Eye” underscores the commonality between East and West via the human eyes that look out at us from Eastern and Western art.
The “Eye to Eye” project collapses the past with the future. It places us in the present to combine art images that may be obscure with images that have saturated contemporary culture.
Using the simplest of means, “Eye to Eye” offers profound possibility for forging a rich collaborative cultural vision for the future.
You are invited to take away a piece of this artwork as a symbol of a mutual exchange of ideas. Your participation shortens the distance between East and West and permits us to see each other in a positive way."
What a delightful adventure awaits in a few short days, as I leave these silent woods and meld into a sea of 20 million souls!
May each of you find delight in the winter celebrations to come, as we bring 2008 to a close and prepare for a brand new year!All best wishes to you....
For I find myself absorbed instead with visas and flight plans and packing for a surprise trip to Shanghai and rushing to finish an art piece that will be presented at the Zendai Museum of Modern Art there.
Over the summer, three other artists and myself collaborated on an interactive project called “Eye to Eye” and submitted the proposal to the Zendai’s Intrude 366: Art and Life call for artists.
This year long art event ambitiously features “one cultural headline a day” from 100 Chinese artists and 266 Western artists who “intrude” upon the everyday lives of the people of Shanghai and introduce new ways of looking at, thinking about, and perceiving art.We were delighted to be invited and our proposal will be presented on December 20, 2008.
For those who may have interest, a blog is being created about this and our time in Shanghai.If you want to see some of the images please go to
http://eyetoeye-intrudes.blogspot.com .
We have been so busy fabricating the 732 images of Western and Eastern “art eyes” needed to produce the strand of interfacing symbols, that only a rough sketch is up at this time. These small paintings on standard shipping tags will be cut and taken away by passersby on the city sidewalks bringing two artists, one Eastern and one Western,together as the strand shortens. Following is the essence of what will be handed out to explain this Western concept to the Shanghainese.
"Seeing “eye to eye” is a North American expression that implies that two individuals (or groups) can come together on a level playing field to express their own perspective while also acknowledging the other’s viewpoint.
It is a courageous act to see “eye to eye”. It causes one to open oneself to the possibility of new thinking. It is a step towards standing on common ground and arriving at mutual understanding.
In this time of expanding globalization, it is more important than ever that this concept of attempting to see “eye to eye” be promoted to open dialogue and insure meaningful cross-cultural exchange between nations.
“Eye to Eye” underscores the commonality between East and West via the human eyes that look out at us from Eastern and Western art.
The “Eye to Eye” project collapses the past with the future. It places us in the present to combine art images that may be obscure with images that have saturated contemporary culture.
Using the simplest of means, “Eye to Eye” offers profound possibility for forging a rich collaborative cultural vision for the future.
You are invited to take away a piece of this artwork as a symbol of a mutual exchange of ideas. Your participation shortens the distance between East and West and permits us to see each other in a positive way."
What a delightful adventure awaits in a few short days, as I leave these silent woods and meld into a sea of 20 million souls!
May each of you find delight in the winter celebrations to come, as we bring 2008 to a close and prepare for a brand new year!All best wishes to you....
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