Yesterday it was official, summer has departed and the calling card of cool nights coupled with the overhead honking of Southbound geese has been duly acknowledged but the wood frogs still chatter in the trees at dusk. The chorus of crickets and cicadas serenade the nights despite early frost warnings.We can keep the windows open a while longer and hear the wildlife settling in all around us.
Here in the hills of New England we have been trying to ignore the fiery color building on the hillsides for weeks, first yellow birch and beech and later bursts of flame-orange maples scattered here and there. But there is no denying the calendar… the Autumnal Equinox has come and gone… ready or not.
Recently warm days contrast with the mounds of colorful pumpkins, and ornamental gourds sitting shoulder to shoulder with pots of purple asters and mums of russet red and bright yellow along every rural highway. The last Monarch butterflies visit somewhat diminished gardens and humans are amazed to see darkness descend before 7:30. A lone female hummingbird sips what nectar can be found in late blooming blossoms. And a pile of split wood waits to be neatly stacked until the first fires are lit.
The transition from exterior to interior, extroversion to introspection has subtly begun as our inner landscape reflects the outer. A bittersweet acquiescence to the passage of time mingles with the anticipation of the glorious pageantry of color to come. No one puts on a more dramatic display of Fall color than New England. Some days are so clear and crisp and the foliage so intense against cerulean blue skies it seems unreal; like an over the top, highly saturated “Technicolor” movie of the mid-fifties. It is my favorite season and one of the attractions that pulled me from the steamy South to these northern hills.
Early morning transitions are particularly magical in this area. On the road to Maine recently as the sun was rising, mists were lifting from the waters of a nearby pond. Two young deer gracefully crossed the road after sampling the cool water; a pair of crows silhouetted on a bare branch and shrouded in fog cawed loudly as I stopped my car to take it all in.
The intimate scene I just described takes place everyday, but most of us are so intent on getting to where we need to be, we do not notice them. Try to take the time to witness the changes taking place where you are today, savor the timeless beauty of the ever-changing season, and remember that you are an integral part of it.
Wednesday, September 23, 2009
Thursday, September 17, 2009
Viva Cirque du Soleil !
As many devoted fans are aware Cirque du Soleil began in 1984 as a group of 20 street performers in Montreal. Their dedication to incredible showmanship, athleticism, and the theatre of fantasy has created a major Quebec-based organization that consistently provides high-quality artistic entertainment. The company has more than 4,000 employees from over 40 different countries, including 1,000 artists.They have 19 shows touring the world simultaneously in 2009.
Opening night at the Mullins Center in Amherst was Sept. 16th and offered the beautifully scored Alegria. This was first toured in 1994 and the CD won numerous World Beat music awards in 1995 for the passionate background music gorgeously performed live in performance by two superb female vocalists and topnotch musicians.
Alegria is Spanish for a sense of joy,delight and exuberance for life, which is what this hardworking troupe of 50 or so, decidedly delivered.Such enchantment this small cirque can weave through ingenious staging,otherworldly music, fantastic costumes and the supreme artistry and athletic ability of the gravity-defying performers as they tumble, contort, and fly through the air!
The entranced audience collectively gasps, sighs, and giggles as these consummate athletes disguise their rigorous training with liquidity of movement and graceful form that seems as natural as breathing.
For two hours we vicariously soar,somersault, and twirl to the driving rhythms of the hypnotic music and feast on the visual banquet so artfully placed before us.
As the finale ends and the house lights come up, we blink ourselves back into reality and slowly shuffle out into the brisk night air, feeling younger at heart, overlooking normally stiff joints and relishing the fantasy that for a short while we too were airborne on the flying trapeze…
For a delicious glimpse of this show click here and watch the video trailer
http://www.cirquedusoleil.com/en/shows/alegria/default.aspx
and go to www.cirquedusoleil to see when a troupe may be visiting near you!
Opening night at the Mullins Center in Amherst was Sept. 16th and offered the beautifully scored Alegria. This was first toured in 1994 and the CD won numerous World Beat music awards in 1995 for the passionate background music gorgeously performed live in performance by two superb female vocalists and topnotch musicians.
Alegria is Spanish for a sense of joy,delight and exuberance for life, which is what this hardworking troupe of 50 or so, decidedly delivered.Such enchantment this small cirque can weave through ingenious staging,otherworldly music, fantastic costumes and the supreme artistry and athletic ability of the gravity-defying performers as they tumble, contort, and fly through the air!
The entranced audience collectively gasps, sighs, and giggles as these consummate athletes disguise their rigorous training with liquidity of movement and graceful form that seems as natural as breathing.
For two hours we vicariously soar,somersault, and twirl to the driving rhythms of the hypnotic music and feast on the visual banquet so artfully placed before us.
As the finale ends and the house lights come up, we blink ourselves back into reality and slowly shuffle out into the brisk night air, feeling younger at heart, overlooking normally stiff joints and relishing the fantasy that for a short while we too were airborne on the flying trapeze…
For a delicious glimpse of this show click here and watch the video trailer
http://www.cirquedusoleil.com/en/shows/alegria/default.aspx
and go to www.cirquedusoleil to see when a troupe may be visiting near you!
Tuesday, August 25, 2009
Coming Soon, Abstraction, The Whitney’s O’Keeffe Exhibition
The final days of August slowly saunter into September.
Despite lingering humidity and sultry temperatures we know too well
that change is in the air, classrooms will soon fill again, and schedules intensify.
Autumn is my favorite season anyway but this September offers a special treat,
a visual harvest of rarely seen early work by Georgia O’Keeffe at the Whitney Museum in New York!
As much as I enjoyed the Dove/O’Keeffe show at the Clark this summer, I yearned for more of the radical, intellectual work from 1918-1922.
I am delighted to learn that the Whitney Museum of American Art will feature over 130 early paintings, drawings, and watercolors as well as sculptures in Georgia O’Keeffe: Abstraction opening September 17th and closing January 17th.
Adding to the excitement will be Alfred Stieglitz’s photographic portraits of her and the fully illustrated catalogue contains excerpts from the recently unsealed correspondence between this exceptional couple.
The curatorial team is top-notch: Barbara Haskell of the Whitney, Barbara Buhler Lynes of the Georgia O’Keeffe Museum, Emily Fisher Landau of the Georgia O’Keeffe Museum Research Center and other noted scholars.
This exhibit insures that Georgia O’Keeffe is finally going to be seen as the creative force she was outside of the representational work the critics and public more easily embraced.
I can’t help but feel Georgia’s enduring spirit will wryly smile and say”At Last!”
For more information go to http://whitney.org/www/exhibition/okeeffe.jsp
Despite lingering humidity and sultry temperatures we know too well
that change is in the air, classrooms will soon fill again, and schedules intensify.
Autumn is my favorite season anyway but this September offers a special treat,
a visual harvest of rarely seen early work by Georgia O’Keeffe at the Whitney Museum in New York!
As much as I enjoyed the Dove/O’Keeffe show at the Clark this summer, I yearned for more of the radical, intellectual work from 1918-1922.
I am delighted to learn that the Whitney Museum of American Art will feature over 130 early paintings, drawings, and watercolors as well as sculptures in Georgia O’Keeffe: Abstraction opening September 17th and closing January 17th.
Adding to the excitement will be Alfred Stieglitz’s photographic portraits of her and the fully illustrated catalogue contains excerpts from the recently unsealed correspondence between this exceptional couple.
The curatorial team is top-notch: Barbara Haskell of the Whitney, Barbara Buhler Lynes of the Georgia O’Keeffe Museum, Emily Fisher Landau of the Georgia O’Keeffe Museum Research Center and other noted scholars.
This exhibit insures that Georgia O’Keeffe is finally going to be seen as the creative force she was outside of the representational work the critics and public more easily embraced.
I can’t help but feel Georgia’s enduring spirit will wryly smile and say”At Last!”
For more information go to http://whitney.org/www/exhibition/okeeffe.jsp
Thursday, August 13, 2009
Annual Santa Fe Indian Market and Tribal Art Shows Begin
Santa Fe, New Mexico is a delightful experience in any season, but for nine days in August it becomes a Mecca for lovers of art, artifacts and textiles made by traditional peoples of the Americas and the world.
The 88th annual Santa Fe Indian Market fills the historic plaza with the best contemporary Native artisans on August 22 and 23 this year. The setting, the people, the dazzling array of high quality art and just the euphoria of good feelings that circulate the grounds as artists casually interface with the admiring public is unlike anywhere else.
Always a highlight on Sunday (8/23) is the Native American Clothing Contest.
Tribal members from many nations wear their best regalia and traditional designs and vie for the coveted prizes. For pictures and more info on this unique event go to
http://swaia.org/Indian_Market/Native_American_Clothing_Contest/index.html
Kicking off the celebration in the newly constructed Santa Fe Community Convention Center on the corner of Grant and Marcy St.are two not to miss events. These are the Whitehawk Antique Shows which run from the Preview Gala of the Antique Ethnographic Art Show on Friday, Aug. 14 until Aug. 19 which brings the beloved Antique Indian Art Show to a close. Savvy collectors and lovers of museum quality art have beaten a path to these shows for 30 years, as dealers from around the world gather to show exceptional objects and celebrate Tribal Art.For more times and details on these events go to http://whitehawkshows.com/
For those of you not in the Santa Fe area or readers that aren’t familiar with the terminology, but are curious about what “Tribal Art” implies, I invite you to click here on my site http://deborahgarnercollection.com for a sampling of tribal adornment, textiles and objects that I have enthusiastically packed full of information to encourage you to look carefully but joyfully!Be forewarned that the deeper you go into learning about the cultures and artisans that created this powerful work, the deeper your appreciation and desire to learn more!
It quite easily becomes a lifelong obsession…ergo that inescapable feeling that will have Santa Fe abuzz in coming days!
The 88th annual Santa Fe Indian Market fills the historic plaza with the best contemporary Native artisans on August 22 and 23 this year. The setting, the people, the dazzling array of high quality art and just the euphoria of good feelings that circulate the grounds as artists casually interface with the admiring public is unlike anywhere else.
Always a highlight on Sunday (8/23) is the Native American Clothing Contest.
Tribal members from many nations wear their best regalia and traditional designs and vie for the coveted prizes. For pictures and more info on this unique event go to
http://swaia.org/Indian_Market/Native_American_Clothing_Contest/index.html
Kicking off the celebration in the newly constructed Santa Fe Community Convention Center on the corner of Grant and Marcy St.are two not to miss events. These are the Whitehawk Antique Shows which run from the Preview Gala of the Antique Ethnographic Art Show on Friday, Aug. 14 until Aug. 19 which brings the beloved Antique Indian Art Show to a close. Savvy collectors and lovers of museum quality art have beaten a path to these shows for 30 years, as dealers from around the world gather to show exceptional objects and celebrate Tribal Art.For more times and details on these events go to http://whitehawkshows.com/
For those of you not in the Santa Fe area or readers that aren’t familiar with the terminology, but are curious about what “Tribal Art” implies, I invite you to click here on my site http://deborahgarnercollection.com for a sampling of tribal adornment, textiles and objects that I have enthusiastically packed full of information to encourage you to look carefully but joyfully!Be forewarned that the deeper you go into learning about the cultures and artisans that created this powerful work, the deeper your appreciation and desire to learn more!
It quite easily becomes a lifelong obsession…ergo that inescapable feeling that will have Santa Fe abuzz in coming days!
Monday, August 3, 2009
MASS MoCA's Art Carnival for the Mind
MASS MoCA is the largest center for contemporary arts in the United States.
Located in North Adams, Massachusetts this sprawling 13 acre campus of multistory 19thC. brick factory buildings is a leading-edge exhibition space of art that is currently being made in size, dimensions and techniques that defy the confinement of traditional museum gallery space.
The ten year old institution is “dedicated to the creation and presentation of provocative visual and performing arts pieces, and works that blur conventional distinctions between artistic disciplines.”
MASS MoCA also actively functions as “a laboratory for the contemporary arts, fostering experimentation by artists, encouraging collaborations among institutions, and allowing visitors a behind-the-scenes look at the creative process.”
This progressive, pro-active mission statement can not prepare the visitor for the transformational experience of being confronted by the gargantuan spaces of football length galleries, Matrix-chic industrial design and art that stops you dead in your tracks but curious to learn more.
One must commit to the intellectual participation of viewing works that are more about a concept and the process of creating an expression of that idea than simply admiring form, line and texture. It is rigorous and demanding work but unavoidably expansive.
The current exhibitions lead the visitor through rabbitholes of self-deprecating humor: “This is Killing Me” which is a group show exploring the many facets of psychodrama involved in being an artist to apocalyptic despair “These Days: Elegies for Modern Times” to Sol Lewitt’s full spectrum “Wall Drawings” that fill many galleries and explore his color theories around meticulous inkwashes and lines of grey,red,yellow,and blue.
In the lighter hearted show Sean Landers “Le’Go My Ego”(2007) is a large text based canvas covered with free- hand painted flow- charts of influences/ ideas peppered with self-sabotage. It is a hilarious exercise in grappling with an artistic temperament that is not sure about anything but “has a lot of hope for something”. I kept hearing David Sedaris’s voice reading the thought fragments as I followed the arrows around the canvas. Joe Zane’s hilarious group of works on ambition and failure offers “I wished I was a Giant” (2006), a glass vitrine lined with meticulously reproduced art magazines, Artforum etc.with him on the cover or opened to articles on his contributions to seminal art historical texts. Lampooning this quest for fame and favorable reviews the vitrine is coated with thick brown dust where mindless graffiti has been scrawled by a public that could care less.
So much to enjoy in this show and to confront in the Elegies.
In Elegies, large format videos create walls of screens and a huge cyclorama features Pawel Wojtasik’s “Below Sea Level”. It surrounds the viewers and immerses them in a dizzying 360 panorama of New Orleans after Katrina with an amazingly liquid soundscape that mourns and celebrates the vibrancy of this special city at the same time.
Sam Taylor-Wood’s “Prelude in Air”(2005) features a powerfully built cellist passionately playing a beautifully poignant Bach prelude. We hear the lovely music and see his muscles creating it… but there is no cello….
There is so much to see and experience at this art carnival for the mind…go to http:www.massmoca.org to learn more and plan to spend the day!
Located in North Adams, Massachusetts this sprawling 13 acre campus of multistory 19thC. brick factory buildings is a leading-edge exhibition space of art that is currently being made in size, dimensions and techniques that defy the confinement of traditional museum gallery space.
The ten year old institution is “dedicated to the creation and presentation of provocative visual and performing arts pieces, and works that blur conventional distinctions between artistic disciplines.”
MASS MoCA also actively functions as “a laboratory for the contemporary arts, fostering experimentation by artists, encouraging collaborations among institutions, and allowing visitors a behind-the-scenes look at the creative process.”
This progressive, pro-active mission statement can not prepare the visitor for the transformational experience of being confronted by the gargantuan spaces of football length galleries, Matrix-chic industrial design and art that stops you dead in your tracks but curious to learn more.
One must commit to the intellectual participation of viewing works that are more about a concept and the process of creating an expression of that idea than simply admiring form, line and texture. It is rigorous and demanding work but unavoidably expansive.
The current exhibitions lead the visitor through rabbitholes of self-deprecating humor: “This is Killing Me” which is a group show exploring the many facets of psychodrama involved in being an artist to apocalyptic despair “These Days: Elegies for Modern Times” to Sol Lewitt’s full spectrum “Wall Drawings” that fill many galleries and explore his color theories around meticulous inkwashes and lines of grey,red,yellow,and blue.
In the lighter hearted show Sean Landers “Le’Go My Ego”(2007) is a large text based canvas covered with free- hand painted flow- charts of influences/ ideas peppered with self-sabotage. It is a hilarious exercise in grappling with an artistic temperament that is not sure about anything but “has a lot of hope for something”. I kept hearing David Sedaris’s voice reading the thought fragments as I followed the arrows around the canvas. Joe Zane’s hilarious group of works on ambition and failure offers “I wished I was a Giant” (2006), a glass vitrine lined with meticulously reproduced art magazines, Artforum etc.with him on the cover or opened to articles on his contributions to seminal art historical texts. Lampooning this quest for fame and favorable reviews the vitrine is coated with thick brown dust where mindless graffiti has been scrawled by a public that could care less.
So much to enjoy in this show and to confront in the Elegies.
In Elegies, large format videos create walls of screens and a huge cyclorama features Pawel Wojtasik’s “Below Sea Level”. It surrounds the viewers and immerses them in a dizzying 360 panorama of New Orleans after Katrina with an amazingly liquid soundscape that mourns and celebrates the vibrancy of this special city at the same time.
Sam Taylor-Wood’s “Prelude in Air”(2005) features a powerfully built cellist passionately playing a beautifully poignant Bach prelude. We hear the lovely music and see his muscles creating it… but there is no cello….
There is so much to see and experience at this art carnival for the mind…go to http:www.massmoca.org to learn more and plan to spend the day!
Monday, July 13, 2009
Dove/O’Keeffe: Circles of Influence, A Must See Exhibition
If you find yourself in the verdant hills of the Berkshires or along the sinuous Mohawk Trail in western Massachusetts this summer, chances are the many cultural delights on offer will lead you to Williamstown.
Williamstown is an idyllic New England village of manicured lawns and crisp white architecture dominated by the lovely campus of Williams College, founded in 1793.
The Clark Institute, a short drive from the center of town, has mounted an important exhibition called Circles of Influence that features the visual conversation of two kindred spirits, Arthur Dove and Georgia O’Keefe. These rarely seen works will be on view from June 7th – September 7th, 2009.
In the early 1910’s Dove and O’Keefe began simultaneously experimenting in capturing emotional, and musical vibration in charcoal and watercolor on paper, as well as the visual vibration created by light and form. In essence they were exploring a new way of seeing and ultimately became the progenitors of Modern Art in America.
O’Keefe first learned of Dove’s work in 1914 when she was a young art student.
She was introduced to him four years later by his lifetime friend and mentor and her future husband, Alfred Stieglitz. The creative empathy exchanged between these two artists was instantaneous and lifelong. To learn more about this visit http://www.clarkart.edu
For me the strongest and most groundbreaking images were the small works on paper from 1915-1919. Dove’s "#4 Creek", (1919) which he drew mid-stream as the water rushed toward the dark forest ahead, is a masterpiece and shares true affinity with O’Keefe’s "No. 15 Special" (1916/17) a charcoal drawing of a dry canyon in Texas, that uses similar forms to describe an arid landscape. Their polarity and affinity clearly in evidence here.
As the art viewing public became more aware of Freud’s ideas around sexuality and sexual expression, Dove and O’Keefe found their imagery cast in roles of gender and blatantly sexualized. Neither artist agreed or felt comfortable with this speculation.Personal perceptions of Nature and natural forms were the impetus for their designs, and rendering them in new and abstract ways was the shared goal.
If you are unaware of the incredible shift these two created in art visualization look for their earliest work. Too bad more of O’Keefe’s “Specials” were not included. These remarkable charcoal drawings are published in Georgia O’Keefe, Some Memories of Drawings, University of New Mexico Press, 1974. They are worth seeking out, as too often only the bones, flowers and mesas are brought to mind when her name is mentioned.
While at the Clark take the time to follow the nature trails on the expansive grounds.Two of them lead up to the elegant new Stone Hill Center with galleries of exceptional contemporary Asian ceramics and traditional Japanese art called, Through the Seasons (through Oct.18th) and stunning vistas of the Taconic Range and the Green Mountains.
Wishing you happy trails wherever the summer takes you….
Williamstown is an idyllic New England village of manicured lawns and crisp white architecture dominated by the lovely campus of Williams College, founded in 1793.
The Clark Institute, a short drive from the center of town, has mounted an important exhibition called Circles of Influence that features the visual conversation of two kindred spirits, Arthur Dove and Georgia O’Keefe. These rarely seen works will be on view from June 7th – September 7th, 2009.
In the early 1910’s Dove and O’Keefe began simultaneously experimenting in capturing emotional, and musical vibration in charcoal and watercolor on paper, as well as the visual vibration created by light and form. In essence they were exploring a new way of seeing and ultimately became the progenitors of Modern Art in America.
O’Keefe first learned of Dove’s work in 1914 when she was a young art student.
She was introduced to him four years later by his lifetime friend and mentor and her future husband, Alfred Stieglitz. The creative empathy exchanged between these two artists was instantaneous and lifelong. To learn more about this visit http://www.clarkart.edu
For me the strongest and most groundbreaking images were the small works on paper from 1915-1919. Dove’s "#4 Creek", (1919) which he drew mid-stream as the water rushed toward the dark forest ahead, is a masterpiece and shares true affinity with O’Keefe’s "No. 15 Special" (1916/17) a charcoal drawing of a dry canyon in Texas, that uses similar forms to describe an arid landscape. Their polarity and affinity clearly in evidence here.
As the art viewing public became more aware of Freud’s ideas around sexuality and sexual expression, Dove and O’Keefe found their imagery cast in roles of gender and blatantly sexualized. Neither artist agreed or felt comfortable with this speculation.Personal perceptions of Nature and natural forms were the impetus for their designs, and rendering them in new and abstract ways was the shared goal.
If you are unaware of the incredible shift these two created in art visualization look for their earliest work. Too bad more of O’Keefe’s “Specials” were not included. These remarkable charcoal drawings are published in Georgia O’Keefe, Some Memories of Drawings, University of New Mexico Press, 1974. They are worth seeking out, as too often only the bones, flowers and mesas are brought to mind when her name is mentioned.
While at the Clark take the time to follow the nature trails on the expansive grounds.Two of them lead up to the elegant new Stone Hill Center with galleries of exceptional contemporary Asian ceramics and traditional Japanese art called, Through the Seasons (through Oct.18th) and stunning vistas of the Taconic Range and the Green Mountains.
Wishing you happy trails wherever the summer takes you….
Tuesday, June 9, 2009
Summer Artful Explorations
Summer is on our doorsteps with gardening,mowing and all the attendant diversions of this much loved time of the year. It has taken great discipline to get back into the studio to produce new work but somehow I have managed to have a children's book underway (inspired by the lushness of growing things) and to create new works on paper for a recent exhibition.
Luckily since the Chinese presentation last December, fascination with the visual impact of the eye as symbol, continues to inspire and challenge.
Instead of using it to represent cultural viewpoints, as we attempted in Eye to Eye, I have been exploring eye symbols that exist in Eastern and Western popular iconography to represent philosophical ideas.
In this case, the ideas of Materialism vs. Spiritualism in our current day.
As financial entities continue to topple and the West is slowly weaned from the opiate of compulsive consumerism, other parts of the world are experiencing a surge of materialistic opportunities to“ buy their dreams”.
At the same time, religions compete with all the shiny new products for the attention of the populace.
Individuals that are more in tune with spiritual pursuits try to find a balance between the two in this topsy-turvy world we all share. The spiritual adage to "be in the world but not of it" has never been more difficult.
For this conceptual exercise I selected the “All-Seeing Eye of God” from the Great Seal of the United States that embellishes the American one dollar bill to represent Materialism…that “Almighty Dollar” that expresses, albeit tongue in cheek, the will to do anything to amass large quantities of it.
And other “all-seeing eyes” are from the East… painted ones that embellish the crests of Swayambunath Stupa and Bodnath Stupa in Kathmandu,Nepal to represent the idea of Spiritualism.
I am working here in mixed media with water soluble printing ink on printmaking paper to create these images. As contemporary cultures worldwide are in such a state of flux, East and West is used just to denote the source of the imagery, not to attribute the exclusive label of spiritualism and materialism to Eastern or Western points of view.
I hope you enjoy considering the philosophic overlays as they wrestle for your attention. Two recent works from this series are posted on the sidebar to the right.
If you haven't been to our blog Eye to Eye in awhile please stop by as we are always adding pictures and updates to it. There's a link on sidebar to the right. We are delighted to have visitors from all over the world.
Whereever you may be here's wishing you many pleasant diversions as the Summer Solstice approaches!
Luckily since the Chinese presentation last December, fascination with the visual impact of the eye as symbol, continues to inspire and challenge.
Instead of using it to represent cultural viewpoints, as we attempted in Eye to Eye, I have been exploring eye symbols that exist in Eastern and Western popular iconography to represent philosophical ideas.
In this case, the ideas of Materialism vs. Spiritualism in our current day.
As financial entities continue to topple and the West is slowly weaned from the opiate of compulsive consumerism, other parts of the world are experiencing a surge of materialistic opportunities to“ buy their dreams”.
At the same time, religions compete with all the shiny new products for the attention of the populace.
Individuals that are more in tune with spiritual pursuits try to find a balance between the two in this topsy-turvy world we all share. The spiritual adage to "be in the world but not of it" has never been more difficult.
For this conceptual exercise I selected the “All-Seeing Eye of God” from the Great Seal of the United States that embellishes the American one dollar bill to represent Materialism…that “Almighty Dollar” that expresses, albeit tongue in cheek, the will to do anything to amass large quantities of it.
And other “all-seeing eyes” are from the East… painted ones that embellish the crests of Swayambunath Stupa and Bodnath Stupa in Kathmandu,Nepal to represent the idea of Spiritualism.
I am working here in mixed media with water soluble printing ink on printmaking paper to create these images. As contemporary cultures worldwide are in such a state of flux, East and West is used just to denote the source of the imagery, not to attribute the exclusive label of spiritualism and materialism to Eastern or Western points of view.
I hope you enjoy considering the philosophic overlays as they wrestle for your attention. Two recent works from this series are posted on the sidebar to the right.
If you haven't been to our blog Eye to Eye in awhile please stop by as we are always adding pictures and updates to it. There's a link on sidebar to the right. We are delighted to have visitors from all over the world.
Whereever you may be here's wishing you many pleasant diversions as the Summer Solstice approaches!
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